This Route is Known for the Dogs is a story produced in every newsroom.
There is nothing special about this story. It’s merely an opportunity to practice the craft of video editing. This story is perfect for refining video editing skills. The story was supposed to be a vo/sot. The photographer gave it to me. I wrote and produced a script, then sold the story to a producer. Luckily she was light on this day and allowed the vo/sot to become a package.
The story starts on a tight shot of a mail truck back door opening. I know the rules. Start wide, go medium, and then go tight. I understand why I’m breaking the rules (there really aren’t any rules, just guidelines). I don’t think I need a wide shot of a post office. I’m pretty sure the viewer gets it.
Meticulous with match-action I am. (Yoda laugh). Watch the shot at [:12].
The next shot [:13] is a match-cut. Do I need to be this meticulous? Nope. I am practicing my craft. The next time I need to have a clean, tight match-cut, I’ll have practiced it with splendid execution.
“I am loading up…(natural sound of her picking up crate)…my mail…(natural sound of her putting the crate in a truck)…for today.”
Why do I do this? The main reason is that she stumbles over her words in the sentence. By using the natural sound, I simply create a sentence that’s tighter and takes less time.
Two pieces of natural sound transition her onto the mail route. I had lots of videos, including a sequence of Lynn getting into her truck and driving away. I couldn’t figure out an efficient way to use it without it just being an extra sequence. I didn’t really need it. Just because I have the sequence doesn’t mean I’m going to force it.
“Delivering the mail seems like a routine job.” “It’s not the easiest job, huh?”
This is a beautiful little moment, and I write into it. It’s the little things that make the story fun. You’ll notice from here to the end of the story, the natural sound is simple. It’s easy to have a series of natural sound pops of Lynn putting mail into mailboxes. I avoid doing that for a few reasons, mainly because that’s not how your eyes would see if you were following here. If you’re just practicing your craft, pretend your eyes are a camera. How would your eyes see the event if you were actually there?
At [:28] I use a shot of Lynn closing and locking the mail truck door with natural sound, then she says,
“Safety is really a big thing, too, with the post office.”
I then use the natural sound of her locking the mail truck door.
One-shot, two pieces of natural sound and a SOT. This is an old trick. Using the beginning sound and the ending sound of a shot and squeezing a SOT in-between those natural sounds. It’s quick and usually very easy to accomplish. Just practicing the craft.
At [:32], did you hear that dog bark? Subtle, wasn’t it. I’m foreshadowing. You’re gonna hear as much dog barking as I can put in without it overpowering the story. If you were with her, that’s what you would hear, right?
At [:44] is an interview, on paper it reads,
“Just one afternoon doing a normal delivery as I was walking, I noticed that the screen door was not fully shut and the dog just instantly came out and bit me.”
Now, look at the video and natural sound I use to break up the bite and make the story flow better. Natural sound can also be compared to a period. That sentence has a lot of information. By breaking up the sentence with the natural sound, it’s like breaking up a sentence into multiple sentences.
Also, at the end of that SOT at [:56], I milk the dog barking twice! Again that simple idea of squeezing as much natural sound as possible from one shot.
At [1:03] I have a spokeswoman’s SOT, I cover the last portion of her SOT because I’m butting two SOTS together.
At [1:18], I bring Lynn back on camera.
The viewer knows who she is because she’s the primary person in the story. It never hurts to bring people back on camera, especially if they say something meaningful or emotional.
“Yeah, it is a carrier’s worst fear to get bit by a dog.”
- Bring people back on camera if they say something emotional or essential.
I’d say that’s both vital information and something with emotion.
At [1:29], I bring her back on camera again for the same reason.
“A lot of customers always say my dog’s not gonna bite. And every carrier has heard that thousands of times, the dog will bite.”
The last shot is the walking off into the sunset shot. I bring the story to a close with a simple shot of her walking away, still doing her job. I’m covering with a closing piece of sound, and I throw in one more dog barking. No need to show the dog here. If she were walking along, she wouldn’t necessarily see a dog barking; she would just hear it.
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